The Void, of which it cannot be said that it is or is not, nor that it has consciousness or has none, while it denies absoluteness to any experiential value (alike to being and to consciousness) cannot be identified. And that is the doctrine of not-self (anatta) as I see it in one aspect at present. This voidness cannot be “is-ed” and so introduced into the worldly scheme, except as the denial of absoluteness of all particular values. It has no more effect on ordinary life than the theory of relativity. But just as that theory completely alters calculation of enormous speeds, so, as I see it, this void-element completely alters calculations of extraordinary situations, of death (as killing, suicide or the partner of old age). N.T
Showing posts with label Amiel. Show all posts
Showing posts with label Amiel. Show all posts

Thursday, April 3, 2014

Time is the supreme illusion


November 16, 1864.—Heard of the death of—. Will and intelligence lasted till there was an effusion on the brain which stopped everything.

A bubble of air in the blood, a drop of water in the brain, and a man is out of gear, his machine falls to pieces, his thought vanishes, the world disappears from him like a dream at morning. On what a spider thread is hung our individual existence! Fragility, appearance, nothingness. If it were for our powers of self−detraction and forgetfulness, all the fairy world which surrounds and draws us would seem to us but a broken spectre in the darkness, an empty appearance, a fleeting hallucination. Appeared—disappeared—there is the whole history of a man, or of a world, or of an infusoria.

Time is the supreme illusion. It is but the inner prism by which we decompose being and life, the mode under which we perceive successively what is simultaneous in idea. The eye does not see a sphere all at once although the sphere exists all at once. Either the sphere must turn before the eye which is looking at it, or the eye must go round the sphere. In the first case it is the world which unrolls, or seems to unroll in time; in the second case it is our thought which successively analyzes and recomposes. For the supreme intelligence there is no time; what will be, is. Time and space are fragments of the infinite for the use of finite creatures. God permits them, that he may not be alone. They are the mode under which creatures are possible and conceivable. Let us add that they are also the Jacob's ladder of innumerable steps by which the creation reascends to its Creator, participates in being, tastes of life, perceives the absolute, and can adore the fathomless mystery of the infinite divinity. That is the other side of the question. Our life is nothing, it is true, but our life is divine. A breath of nature annihilates us, but we surpass nature in penetrating far beyond her vast phantasmagoria to the changeless and the eternal. To escape by the ecstasy of inward vision from the whirlwind of time, to see one's self sub specie eterni is the word of command of all the great religions of the higher races; and this psychological possibility is the foundation of all great hopes. The soul may be immortal because she is fitted to rise toward that which is neither born nor dies, toward that which exists substantially, necessarily, invariably, that is to say toward God.

Amiel's Journal

Tuesday, April 1, 2014

An appearance, a vanity, a nothing



How sensible I am to the restless change which rules the world. To appear, and to vanish—there is then biography of all individuals, whatever may be the length of the cycle of existence which they describe, and the drama of the universe is nothing more. All life is the shadow of a smoke−wreath, a gesture in the empty air, a hieroglyph traced for an instant in the sand, and effaced a moment afterward by a breath of wind, an air−bubble expanding and vanishing on the surface of the great river of being—an appearance, a vanity, a nothing. But this nothing is, however, the symbol of the universal being, and this passing bubble is the epitome of the history of the world.

Amiel's Journal

Bad principles


Liberty, equality—bad principles! The only true principle for humanity is justice, and justice toward the feeble becomes necessarily protection or kindness.

Amiel

To personify and embody the eternal, is to be religious


Wisdom! how inexhaustible a theme! A sort of peaceful aureole surrounds and illumines this thought, in which are summed up all the treasures of moral experience, and which is the ripest fruit of a well−spent life. Wisdom never grows old, for she is the expression of order itself—that is, of the Eternal. Only the wise man draws from life, and from every stage of it, its true savor, because only he feels the beauty, the dignity, and the value of life. The flowers of youth may fade, but the summer, the autumn, and even the winter of human existence, have their majestic grandeur, which the wise man recognizes and glorifies. To see all things in God; to make of one's own life a journey toward the ideal; to live with gratitude, with devoutness, with gentleness and courage; this was the splendid aim of Marcus Aurelius. And if you add to it the humility which kneels, and the charity which gives, you have the whole wisdom of the children of God, the immortal joy which is the heritage of the true Christian. But what a false Christianity is that which slanders wisdom and seeks to do without it! In such a case I am on the side of wisdom, which is, as it were, justice done to God, even in this life. The relegation of life to some distant future, and the separation of the holy man from the virtuous man, are the signs of a false religious conception. This error is, in some degree, that of the whole Middle Age, and belongs, perhaps, to the essence of Catholicism. But the true Christianity must purge itself from so disastrous a mistake. The eternal life is not the future life; it is life in harmony with the true order of things—life in God. We must learn to look upon time as a movement of eternity, as an undulation in the ocean of being. To live, so as to keep this consciousness of ours in perpetual relation with the eternal, is to be wise; to live, so as to personify and embody the eternal, is to be religious.

Amiel's Journal

Friday, March 28, 2014

Yet I still believe ...


November 25, 1863.—Prayer is the essential weapon of all religions. He who can no longer pray because he doubts whether there is a being to whom prayer ascends and from whom blessing descends, he indeed is cruelly solitary and prodigiously impoverished. And you, what do you believe about it? At this moment I should find it very difficult to say. All my positive beliefs are in the crucible ready for any kind of metamorphosis. Truth above all, even when it upsets and overwhelms us! But what I believe is that the highest idea we can conceive of the principle of things will be the truest, and that the truest truth is that which makes man the most wholly good, wisest, greatest, and happiest.

My creed is in transition. Yet I still believe in God, and the immortality of the soul. I believe in holiness, truth, beauty; I believe in the redemption of the soul by faith in forgiveness. I believe in love, devotion, honor. I believe in duty and the moral conscience. I believe even in prayer. I believe in the fundamental intuitions of the human race, and in the great affirmations of the inspired of all ages. I believe that our higher nature is our truer nature.

Can one get a theology and a theodicy out of this? Probably, but just now I do not see it distinctly. It is so long since I have ceased to think about my own metaphysic, and since I have lived in the thoughts of others, that I am ready even to ask myself whether the crystallization of my beliefs is necessary. Yes, for preaching and acting; less for studying, contemplating and learning.

Amiel's Journal

The eternal smile of that indifferent criticism, that attitude of ironical contemplation


November 7, 1862.—How malign, infectious, and unwholesome is the eternal smile of that indifferent criticism, that attitude of ironical contemplation, which corrodes and demolishes everything, that mocking pitiless temper, which holds itself aloof from every personal duty and every vulnerable affection, and cares only to understand without committing itself to action! Criticism become a habit, a fashion, and a system, means the destruction of moral energy, of faith, and of all spiritual force. One of my tendencies leads me in this direction, but I recoil before its results when I come across more emphatic types of it than myself. And at least I cannot reproach myself with having ever attempted to destroy the moral force of others; my reverence for life forbade it, and my self−distrust has taken from me even the temptation to it. This kind of temper is very dangerous among us, for it flatters all the worst instincts of men—indiscipline, irreverence, selfish individualism—and it ends in social atomism. Minds inclined to mere negation are only harmless in great political organisms, which go without them and in spite of them. The multiplication of them among ourselves will bring about the ruin of our little countries, for small states only live by faith and will. Woe to the society where negation rules, for life is an affirmation; and a society, a country, a nation, is a living whole capable of death. No nationality is possible without prejudices, for public spirit and national tradition are but webs woven out of innumerable beliefs which have been acquired, admitted, and continued without formal proof and without discussion. To act, we must believe; to believe, we must make up our minds, affirm, decide, and in reality prejudge the question. He who will only act upon a full scientific certitude is unfit for practical life. But we are made for action, and we cannot escape from duty. Let us not, then, condemn prejudice so long as we have nothing but doubt to put in its place, or laugh at those whom we should be incapable of consoling! This, at least, is my point of view.

Amiel's Journal

Thursday, March 27, 2014

Life, which seeks its own continuance ...


August 9, 1862.—Life, which seeks its own continuance, tends to repair itself without our help. It mends its spider's webs when they have been torn; it re−establishes in us the conditions of health, and itself heals the injuries inflicted upon it; it binds the bandage again upon our eyes, brings back hope into our hearts, breathes health once more into our organs, and regilds the dream of our imagination. But for this, experience would have hopelessly withered and faded us long before the time, and the youth would be older than the centenarian. The wise part of us, then, is that which is unconscious of itself; and what is most reasonable in man are those elements in him which do not reason. Instinct, nature, a divine, an impersonal activity, heal in us the wounds made by our own follies; the invisible genius of our life is never tired of providing material for the prodigalities of the self. The essential, maternal basis of our conscious life, is therefore that unconscious life which we perceive no more than the outer hemisphere of the moon perceives the earth, while all the time indissolubly and eternally bound to it. It is our [Greek: antichoon], to speak with Pythagoras.

Amiel's Journal

Every man is a tamer of wild beasts, and these wild beasts are his passions


November 25, 1861.—To understand a drama requires the same mental operation as to understand an existence, a biography, a man. It is a putting back of the bird into the egg, of the plant into its seed, a reconstitution of the whole genesis of the being in question. Art is simply the bringing into relief of the
obscure thought of nature; a simplification of the lines, a falling into place of groups otherwise invisible. The fire of inspiration brings out, as it were, designs traced beforehand in sympathetic ink. The mysterious grows clear, the confused plain; what is complicated becomes simple—what is accidental, necessary. In short, art reveals nature by interpreting its intentions and formulating its desires. Every ideal is the key of a long enigma. The great artist is the simplifier.

Every man is a tamer of wild beasts, and these wild beasts are his passions. To draw their teeth and claws, to muzzle and tame them, to turn them into servants and domestic animals, fuming, perhaps, but submissive—in this consists personal education.

Amiel's Journal

Wednesday, March 26, 2014

The uniting link of the two contradictions


September 12, 1861.—In me an intellect which would fain forget itself in things, is contradicted by a heart which yearns to live in human beings. The uniting link of the two contradictions is the tendency toward self−abandonment, toward ceasing to will and exist for one's self, toward laying down one's own personality, and losing —dissolving—one's self in love and contemplation. What I lack above all things is character, will, individuality. But, as always happens, the appearance is exactly the contrary of the reality, and my outward life the reverse of my true and deepest aspiration. I whose whole being—heart and intellect—thirsts to absorb itself in reality, in its neighbor man, in nature and in God, I, whom solitude devours and destroys, I shut myself up in solitude and seem to delight only in myself and to be sufficient for myself. Pride and delicacy of soul, timidity of heart, have made me thus do violence to all my instincts and invert the natural order of my life. It is not astonishing that I should be unintelligible to others. In fact I have always avoided what attracted me, and turned my back upon the point where secretly I desired to be.

“Deux instincts sont en moi: vertige et deraison;
J'ai l'effroi du bonheur et la soif du poison.”

It is the Nemesis which dogs the steps of life, the secret instinct and power of death in us, which labors continually for the destruction of all that seeks to be, to take form, to exist; it is the passion for destruction, the tendency toward suicide, identifying itself with the instinct of self−preservation. This antipathy toward all that does one good, all that nourishes and heals, is it not a mere variation of the antipathy to moral light and regenerative truth? Does not sin also create a thirst for death, a growing passion for what does harm? Discouragement has been my sin. Discouragement is an act of unbelief. Growing weakness has been the consequence of it; the principle of death in me and the influence of the Prince of Darkness have waxed stronger together. My will in abdicating has yielded up the scepter to instinct; and as the corruption of the best results in what is worst, love of the ideal, tenderness, unworldliness, have led me to a state in which I shrink from hope and crave for annihilation. Action is my cross.

Amiel's Journal

There is no ground without a master


The free being who abandons the conduct of himself, yields himself to Satan; in the moral world there is no ground without a master, and the waste lands belong to the Evil One.

Amiel

To grow old is more difficult than to die


May 5, 1860.—To grow old is more difficult than to die, because to renounce a good once and for all, costs less than to renew the sacrifice day by day and in detail. To bear with one's own decay, to accept one's own lessening capacity, is a harder and rarer virtue than to face death.

*****
There is a halo round tragic and premature death; there is but a long sadness in declining strength. But look closer: so studied, a resigned and religious old age will often move us more than the heroic ardor of young years. The maturity of the soul is worth more than the first brilliance of its faculties, or the plentitude of its strength, and the eternal in us can but profit from all the ravages made by time. There is comfort in this thought.

Amiel's Journal

Monday, March 24, 2014

How frail a thing is health


April 17, 1860.—The cloud has lifted; I am better. I have been able to take my usual walk on the Treille; all the buds were opening and the young shoots were green on all the branches. The rippling of clear water, the merriment of birds, the young freshness of plants, and the noisy play of children, produce a strange effect upon an invalid. Or rather it was strange to me to be looking at such things with the eyes of a sick and dying man; it was my first introduction to a new phase of experience. There is a deep sadness in it. One feels one's self cut off from nature—outside her communion as it were. She is strength and joy and eternal health. “Room for the living,” she cries to us; “do not come to darken my blue sky with your miseries; each has his turn: begone!” But to strengthen our own courage, we must say to ourselves, No; it is good for the world to see suffering and weakness; the sight adds zest to the joy of the happy and the careless, and is rich in warning for all who think. Life has been lent to us, and we owe it to our traveling companions to let them see what use we make of it to the end. We must show our brethren both how to live and how to die. These first summonses of illness have besides a divine value; they give us glimpses behind the scenes of life; they teach us something of its awful reality and its inevitable end. They teach us sympathy. They warn us to redeem the time while it is yet day. They awaken in us gratitude for the blessings which are still ours, and humility for the gifts which are in us. So that, evils though they seem, they are really an appeal to us from on high, a touch of God's fatherly scourge.

How frail a thing is health, and what a thin envelope protects our life against being swallowed up from without, or disorganized from within! A breath, and the boat springs a leak or founders; a nothing, and all is endangered; a passing cloud, and all is darkness! Life is indeed a flower which a morning withers and the beat of a passing wing breaks down; it is the widow's lamp, which the slightest blast of air extinguishes. In order to realize the poetry which clings to morning roses, one needs to have just escaped from the claws of that vulture which we call illness. The foundation and the heightening of all things is the graveyard. The only certainty in this world of vain agitations and endless anxieties, is the certainty of death, and that which is the foretaste and small change of death—pain.

As long as we turn our eyes away from this implacable reality, the tragedy of life remains hidden from us. As soon as we look at it face to face, the true proportions of everything reappear, and existence becomes solemn again. It is made clear to us that we have been frivolous and petulant, intractable and forgetful, and that we have been wrong.

We must die and give an account of our life: here in all its simplicity is the teaching of sickness! “Do with all diligence what you have to do; reconcile yourself with the law of the universe; think of your duty; prepare yourself for departure:” such is the cry of conscience and of reason.

Amiel's Journal

Nature is forgetful


August 9, 1859.—Nature is forgetful: the world is almost more so. However little the individual may lend himself to it, oblivion soon covers him like a shroud. This rapid and inexorable expansion of the universal life, which covers, overflows, and swallows up all individual being, which effaces our existence and annuls all memory of us, fills me with unbearable melancholy. To be born, to struggle, to disappear—there is the whole ephemeral drama of human life. Except in a few hearts, and not even always in one, our memory passes like a ripple on the water, or a breeze in the air. If nothing in us is immortal, what a small thing is life. Like a dream which trembles and dies at the first glimmer of dawn, all my past, all my present, dissolve in me, and fall away from my consciousness at the moment when it returns upon itself. I feel myself then stripped and empty, like a convalescent who remembers nothing. My travels, my reading, my studies, my projects, my hopes, have faded from my mind. It is a singular state. All my faculties drop away from me like a cloak that one takes off, like the chrysalis case of a larva. I feel myself returning into a more elementary form. I behold my own unclothing; I forget, still more than I am forgotten; I pass gently into the grave while still living, and I feel, as it were, the indescribable peace of annihilation, and the dim quiet of the Nirvana. I am conscious of the river of time passing before and in me, of the impalpable shadows of life gliding past me, but nothing breaks the cateleptic tranquillity which enwraps me .

Amiel's Journal

Friday, March 21, 2014

An agony of incurable disillusion


July 14, 1859.—I have just read “Faust” again. Alas, every year I am fascinated afresh by this somber figure, this restless life. It is the type of suffering toward which I myself gravitate, and I am always finding in the poem words which strike straight to my heart. Immortal, malign, accursed type! Specter of my own conscience, ghost of my own torment, image of the ceaseless struggle of the soul which has not yet found its true aliment, its peace, its faith—art thou not the typical example of a life which feeds upon itself, because it has not found its God, and which, in its wandering flight across the worlds, carries within it, like a comet, an inextinguishable flame of desire, and an agony of incurable disillusion? I also am reduced to nothingness, and I shiver on the brink of the great empty abysses of my inner being, stifled by longing for the unknown, consumed with the thirst for the infinite, prostrate before the ineffable. I also am torn sometimes by this blind passion for life, these desperate struggles for happiness, though more often I am a prey to complete exhaustion and taciturn despair. What is the reason of it all? Doubt—doubt of one's self, of thought, of men, and of life—doubt which enervates the will and weakens all our powers, which makes us forget God and neglect prayer and duty—that restless and corrosive doubt which makes existence impossible and meets all hope with satire.

July 17, 1859.—Always and everywhere salvation is torture, deliverance means death, and peace lies in sacrifice. If we would win our pardon, we must kiss the fiery crucifix. Life is a series of agonies, a Calvary, which we can only climb on bruised and aching knees. We seek distractions; we wander away; we deafen and stupefy ourselves that we may escape the test; we turn away oar eyes from the via dolorosa; and yet there is no help for it—we must come back to it in the end. What we have to recognize is that each of us carries within himself his own executioner—his demon, his hell, in his sin; that his sin is his idol, and that this idol, which seduces the desire of his heart, is his curse.

Die unto sin! This great saying of Christianity remains still the highest theoretical solution of the inner life. Only in it is there any peace of conscience; and without this peace there is no peace....

Amiel's Journal

A hundred years seemed to me a dream


... I have been dreaming alone since ten o'clock at the window, while the stars twinkled among the clouds, and the lights of the neighbors disappeared one by one in the houses round. Dreaming of what? Of the meaning of this tragic comedy which we call life. Alas! alas! I was as melancholy as the preacher. A hundred years seemed to me a dream, life a breath, and everything a nothing. What tortures of mind and soul, and all that we may die in a few minutes! What should interest us, and why?

“Le temps n'est rien pour l'ame, enfant, ta vie est pleine,
Et ce jour vaut cent ans, s'il te fait trouver Dieu.”

To make an object for myself, to hope, to struggle, seems to me more and more impossible and amazing. At twenty I was the embodiment of curiosity, elasticity and spiritual ubiquity; at thirty−seven I have not a will, a desire, or a talent left; the fireworks of my youth have left nothing but a handful of ashes behind them.

Amiel's Journal

Thursday, March 20, 2014

The phantasmagoria of the soul


February 3, 1857.—The phantasmagoria of the soul cradles and soothes me as though I were an Indian yoghi, and everything, even my own life, becomes to me smoke, shadow, vapor, and illusion. I hold so lightly to all phenomena that they end by passing over me like gleams over a landscape, and are gone without leaving any impression. Thought is a kind of opium; it can intoxicate us, while still broad awake; it can make transparent the mountains and everything that exists. It is by love only that one keeps hold upon reality, that one recovers one's proper self, that one becomes again will, force, and individuality. Love could do everything with me; by myself and for myself I prefer to be nothing....

I have the imagination of regret and not that of hope. My clear−sightedness is retrospective, and the result with me of disinterestedness and prudence is that I attach myself to what I have no chance of obtaining....

Amiel's Journal

The depth of darkness, the abyss of the un−revealed



October 27, 1856.—In all the chief matters of life we are alone, and our true history is scarcely ever deciphered by others. The chief part of the drama is a monologue, rather an intimate debate between God, our conscience, and ourselves. Tears, griefs, depressions, disappointments, irritations, good and evil thoughts, decisions, uncertainties, deliberations, all these belong to our secret, and are almost all incommunicable and intransmissible, even when we try to speak of them, and even when we write them down. What is most precious in us never shows itself, never finds an issue even in the closest intimacy. Only a part of it reaches our consciousness, it scarcely enters into action except in prayer, and is perhaps only perceived by God, for our past rapidly becomes strange to us. Our monad may be influenced by other monads, but none the less does it remain impenetrable to them in its essence; and we ourselves, when all is said, remain outside our own mystery. The center of our consciousness is unconscious, as the kernel of the sun is dark. All that we are, desire, do, and know, is more or less superficial, and below the rays and lightnings of our periphery there remains the darkness of unfathomable substance.

I was then well−advised when, in my theory of the inner man, I placed at the foundation of the self, after the seven spheres which the self contains had been successively disengaged, a lowest depth of darkness, the abyss of the un−revealed, the virtual pledge of an infinite future, the obscure self, the pure subjectivity which is incapable of realizing itself in mind, conscience, or reason, in the soul, the heart, the imagination, or the life of the senses, and which makes for itself attributes and conditions out of all these forms of its own life. But the obscure only exists that it may cease to exist. In it lies the opportunity of all victory and all progress. Whether it call itself fatality, death, night, or matter, it is the pedestal of life, of light, of liberty, and the spirit. For it represents resistance —that is to say, the fulcrum of all activity, the occasion for its development and its triumph.

Amiel's Journal

Resignation comes to us


October 22, 1856.—We must learn to look upon life as an apprenticeship to a progressive renunciation, a perpetual diminution in our pretensions, our hopes, our powers, and our liberty. The circle grows narrower and narrower; we began with being eager to learn everything, to see everything, to tame and conquer everything, and in all directions we reach our limit—non plus ultra. Fortune, glory, love, power, health, happiness, long life, all these blessings which have been possessed by other men seem at first promised and accessible to us, and then we have to put the dream away from us, to withdraw one personal claim after another to make ourselves small and humble, to submit to feel ourselves limited, feeble, dependent, ignorant and poor, and to throw ourselves upon God for all, recognizing our own worthlessness, and that we have no right to anything. It is in this nothingness that we recover something of life—the divine spark is there at the bottom of it. Resignation comes to us, and, in believing love, we reconquer the true greatness.

Amiel's Journal

Wednesday, March 19, 2014

Contradiction and mystery!


Let there be no falling asleep, no stopping, no attaching yourself to this or that!” This restless feeling is not the need of change. It is rather the fear of what I love, the mistrust of what charms me, the unrest of happiness. What a bizarre tendency, and what a strange nature! not to be able to enjoy anything simply, naively, without scruple, to feel a force upon one impelling one to leave the table, for fear the meal should come to an end. Contradiction and mystery! not to use, for fear of abusing; to think one's self obliged to go, not because one has had enough, but because one has stayed awhile. I am indeed always the same; the being who wanders when he need not, the voluntary exile, the eternal traveler, the man incapable of repose, who, driven on by an inward voice, builds nowhere, buys and labors nowhere, but passes, looks, camps, and goes. And is there not another reason for all this restlessness, in a certain sense of void? of incessant pursuit of something wanting? of longing for a truer peace and a more entire satisfaction? Neighbors, friends, relations, I love them all; and so long as these affections are active, they leave in me no room for a sense of want. But yet they do not fill my heart; and that is why they have no power to fix it. I am always waiting for the woman and the work which shall be capable of taking entire possession of my soul, and

of becoming my end and aim.
“Promenant par tout sejour
Le deuil que tu celes,
Psyche−papillon, un jour
Puisses−tu trouver l'amour
Et perdre tes ailes!”

I have not given away my heart: hence this restlessness of spirit. I will not let it be taken captive by that which cannot fill and satisfy it; hence this instinct of pitiless detachment from all that charms me without permanently binding me; so that it seems as if my love of movement, which looks so like inconstancy, was at bottom only a perpetual search, a hope, a desire, and a care, the malady of the ideal.
... Life indeed must always be a compromise between common sense and the ideal, the one abating nothing of its demands, the other accommodating itself to what is practicable and real. But marriage by common sense! arrived at by a bargain! Can it be anything but a profanation? On the other, hand, is that not a vicious ideal which hinders life from completing itself, and destroys the family in germ? Is there not too much of pride in my ideal, pride which will not accept the common destiny?...

Amiel's Journal

Their semi−barbarism


July 1, 1856.—A man and still more a woman, always betrays something of his or her nationality. The women of Russia, for instance, like the lakes and rivers of their native country, seem to be subject to sudden and prolonged fits of torpor. In their movement, undulating and caressing like that of water, there is always a threat of unforeseen frost. The high latitude, the difficulty of life, the inflexibility of their autocratic regime, the heavy and mournful sky, the inexorable climate, all these harsh fatalities have left their mark upon the Muscovite race. A certain somber obstinacy, a kind of primitive ferocity, a foundation of savage harshness which, under the influence of circumstances, might become implacable and pitiless; a cold strength, an indomitable power of resolution which would rather wreck the whole world than yield, the indestructible instinct of the barbarian tribe, perceptible in the half−civilized nation, all these traits are visible to an attentive eye, even in the harmless extravagances and caprices of a young woman of this powerful race. Even in their badinage they betray something of that fierce and rigid nationality which burns its own towns and [as Napoleon said] keeps battalions of dead soldiers on their feet.

What terrible rulers the Russians would be if ever they should spread the night of their rule over the countries of the south! They would bring us a polar despotism, tyranny such as the world has never known, silent as darkness, rigid as ice, insensible as bronze, decked with an outer amiability and glittering with the cold brilliancy of snow, a slavery without compensation or relief. Probably, however, they will gradually lose both the virtues and the defects of their semi−barbarism. The centuries as they pass will ripen these sons of the north, and they will enter into the concert of peoples in some other capacity than as a menace or a dissonance. They have only to transform their hardiness into strength, their cunning into grace, their Muscovitism into humanity, to win love instead of inspiring aversion or fear.

Amiel's Journal