The Void, of which it cannot be said that it is or is not, nor that it has consciousness or has none, while it denies absoluteness to any experiential value (alike to being and to consciousness) cannot be identified. And that is the doctrine of not-self (anatta) as I see it in one aspect at present. This voidness cannot be “is-ed” and so introduced into the worldly scheme, except as the denial of absoluteness of all particular values. It has no more effect on ordinary life than the theory of relativity. But just as that theory completely alters calculation of enormous speeds, so, as I see it, this void-element completely alters calculations of extraordinary situations, of death (as killing, suicide or the partner of old age). N.T

Monday, April 25, 2016

A deep awareness of the impossibility of being happy

"When a truly unfortunate man understands and feels a A deep awareness of the impossibility of being happy, and the great and certain unhappiness of humankind, he begins by becoming indifferent about himself, like someone who can hope for nothing, and neither lose nor suffer more than what he already knows and expects. But if misfortune reaches its peak, indifference is not enough, and he loses nearly all his self-love (which had already been so violated by this indifference), or rather directs it in a way that is entirely contrary to normal behavior; he begins to hate life, existence, and himself, he becomes abhorrent to himself, as though he were an enemy, and that is when the prospect of new misfortunes, or the idea and act of suicide, gives him a terrible and almost barbarous joy, especially if he succeeds in killing himself while being obstructed by others. That is the time of that malign, bitter, and ironic smile, like that of a cruel man who has carried out a revenge he has long, fervently, and impatiently desired. That smile is the last expression of extreme despair and supreme unhappiness."


(from "Zibaldone" by Giacomo Leopardi, Michael Caesar, Franco D'Intino, Kathleen Baldwin, Richard Dixon, David Gibbons, Ann Goldstein, Gerard Slowey, Martin Thom, Pamela Williams)

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