Often enough the surface and illusion
catch me, their pray, and I feel like a man. Then I'm happy to be in
the world, and my life is transparent. I float. And it gives me
pleasure to get my pay-cheque and go home. I feel the weather without
seeing it, and there's some organic sensation that pleases me. If I
contemplate, I don't think. […]
But the illusion never lasts long,
partly because it doesn't last and partly because night arrives. And
the colours of the flower beds – it all fades and shrinks. Above
this error which I feel like a man, the enormous stage setting of
stars suddenly appears, as if daylight had been a curtain hiding it
from view. And then my eyes forget the amorphous audience, and I wait
for performers with the excitement of a child at the circus.
I'm liberated and lost.
I feel. I shiver with fever. I'm I.
The weariness caused by all illusions
and all that they entail – our losing them, the uselessness of our
having them, the regret of having them, the pre-weariness of having
them in order to lose them. The regret of having had them, the
intellectual chagrin of having had them, while knowing full well they
would end.
The consciousness of life's
unconsciousness is the oldest tax levied on the intelligence. There
are unconscious forms of intelligence – flashes of wit, waves of
understanding, mysteries and philosophies that are like body
reflexes, that operate as automatically as the liver or kidneys
handle their secretions.
Fernando Pessoa
The Book of Disquiet
translation: Richard Zenith
p. 68-69
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