The Void, of which it cannot be said that it is or is not, nor that it has consciousness or has none, while it denies absoluteness to any experiential value (alike to being and to consciousness) cannot be identified. And that is the doctrine of not-self (anatta) as I see it in one aspect at present. This voidness cannot be “is-ed” and so introduced into the worldly scheme, except as the denial of absoluteness of all particular values. It has no more effect on ordinary life than the theory of relativity. But just as that theory completely alters calculation of enormous speeds, so, as I see it, this void-element completely alters calculations of extraordinary situations, of death (as killing, suicide or the partner of old age). N.T

Wednesday, March 12, 2014

Amiel on Vinet


November 9, 1852.—A few pages of the Chrestomathie Francaise and Vinet's remarkable letter at the head of the volume, have given me one or two delightful hours. As a thinker, as a Christian, and as a man, Vinet occupies a typical place. His philosophy, his theology, his esthetics, in short, his work, will be, or has been already surpassed at all points. His was a great soul and a fine talent. But neither were well enough served by circumstances. We see in him a personality worthy of all veneration, a man of singular goodness and a writer of distinction, but not quite a great man, nor yet a great writer. Profundity and purity, these are what he possesses in a high degree, but not greatness, properly speaking. For that, he is a little too subtle and analytical, too ingenious and fine−spun; his thought is overladen with detail, and has not enough flow, eloquence, imagination, warmth, and largeness. Essentially and constantly meditative, he has not strength enough left to deal with what is outside him. The casuistries of conscience and of language, eternal self−suspicion, and self−examination, his talent lies in these things, and is limited by them. Vinet wants passion, abundance, entrainement, and therefore popularity. The individualism which is his title to glory is also the cause of his weakness. We find in him always the solitary and the ascetic. His thought is, as it were, perpetually at church; it is perpetually devising trials and penances for itself. Hence the air of scruple and anxiety which characterizes it even in its bolder flights. Moral energy, balanced by a disquieting delicacy of fibre; a fine organization marred, so to speak, by low health, such is the impression it makes upon us. Is it reproach or praise to say of Vinet's mind that it seems to one a force perpetually reacting upon itself? A warmer and more self−forgetful manner; more muscles, as it were, around the nerves, more circles of intellectual and historical life around the individual circle, these are what Vinet, of all writers perhaps the one who makes us think most, is still lacking in. Less reflexivity and more plasticity, the eye more on the object, would raise the style of Vinet, so rich in substance, so nervous, so full of ideas, and variety, into a grand style. Vinet, to sum up, is conscience personified, as man and as writer. Happy the literature and the society which is able to count at one time two or three like him, if not equal to him!

Amiel's Journal

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